Shahab Tolouie Master of the Fusetar born Jan 15, 1975!

So last year the FreeWheelin/ Music Safari discovered that on this date in 1975, a very talented world fusion guitarist, Shahab Tolouie  was born! That’s him at the start of this post, he is pictured with a guitar of his creation  an instrumentally speaking a very cool guitar. Well technically speaking,  it is not a guitar it is a

Fusetar (eng.“fusion”, “tar” – farsi. “strings” – fusion of strings).  This three-necked instrument represents the culmination of his sound experiments in search of a mode of expression of his new musical concepts. The fusion of Setar, flamenco guitar, and fretless guitar read more

“Into the Morning” with music from Hungary’s Söndörgö – “Jozo” from the album Tamburocket Hungarian Fireworks!

How about we go “into the morning” with the opening track “Jozo” from the album Tamburocket TamburocketHungarian Fireworks by the Hungarian band  Söndörgö From their website:

Söndörgő is one of the most active and interesting world music groups in Hungary. They play a style of music that is hugely attractive, but little known and quite different to the traditional, fiddle-led hungarian repertoire. Their aim is to foster and preserve Southern Slavic traditions of the Serbs and Croats as found in various settlements in Hungary. Most of these communities are situated along the Danube, but quite isolated from each other.
The group was founded in 1995 in Szentendre a small Hungarian town near Budapest, with long-established Serbian tradition. The Eredics brothers got acquainted, and started to play music together with (bass player) Attila Buzás during their high-school years. Partly because of family reasons (Kálmán Eredics, the father of the Eredics brothers, was a founder member of the Vujicsics ensemble), all the group members are profoundly touched by, and drawn towards Southern Slav folk music. Söndörgő’s mission is to research it, arrange it and perform it on stage. The current members of the group are: Áron Eredics, Benjamin Eredics, Dávid Eredics, Salamon Eredics and Attila Buzás. Continue Reading read more

The Safari Explores the World Fusion Music of Get Tribal – God of Drum!!

This morning the Safari decided it was a World Music kinda day, so  checked out the Zone Music Reporter’s Top 100 Radio Airplay Chart.. The first album that caught my eye was at number 3 – the self released album God of Drum by Get Tribal. The title of the album brought to mind the music of David and Steve Gordon, and the name of the band John Densmore’s Tribal Jazz. So I loaded the album onto the iPhone and listened to it while I was doing some shopping, The music was, in a word, mesmerizing! I found my feet keeping rhythm constantly and just totally became lost in the flow. I even had to ask directions out of Wegmans. Not really! Maybe I should have just stopped though and meditated on the music for a bit!! read more

The Safari finds Breather by Shlomi Cohen – a breathe of fresh world fusion!!

Yesterday, as I was reviewing the Jazz birthdays, I noticed one of the showcased albums on the sidebar. The album was Breather and the artist was Shlomi Cohen.Since the name sounded, and the album looked, interesting I thought I’d give it a listen. What I found was a very, very talented new musician.  Who has been nominated for a Grammy as part of the nominated album “Frutero Moderno” by Gonzalo Grau & La Clave Secreta. He is also collaborates with Colombian Harpist Edmar Castaneda, bringing his incredible and unique form of music to the world. Shlomi is also a member of the horn section of   the Bernie Worrell Orchestra (founding member of Parliament-Funkadelic). Now,  where he finds time to record Breather, his debut solo album, I don’t know, but somehow these ultra-talented people always find a way don’t  they! read more

The Safari visits Ethiopia and finds the Music of Mulatu Astatke – Sketches of Ethiopia

This afternoon the Music Safari took a little trip of the most populous landlocked country in the world Ethiopia. The reason for the trip was to explore the music of Mulatu Astatke. The genesis of the trip  was a review of the World Music Charts – Europe – where his most recent release Sketches of Ethiopia was spotted at No 4!

A trip to Wikipedia revealed that Mulatu  is an Ethiopian musician and arranger best known as the father of Ethio-jazz. From Wikipedia:

Born in the western Ethiopian city of Jimma, Mulatu was musically trained in London, New York City, and Boston where he combined his jazz and Latin music interests with traditional Ethiopian music. Astatke led his band while playing vibraphone and conga drums—instruments that he introduced into Ethiopian popular music—as well as other percussion instruments, keyboards and organ. His albums focus primarily on instrumental music, and Astatke appears on all three known albums of instrumentals that were released during Ethiopia’s Golden ’70s.[1] read more

Today in Music – Dec 5, 1947 – Happy Birthday, Egberto Gismonti !!

Egberto GismontiSomewhere over the last several weeks I came across the name of Egberto Gismonti and even listened to his 1980 release Circense. From AllMusic guide….

This excellent release by Egberto Gismonti was conceived under the concept of a circus, an institution that has the ambivalent quality of being at the same time universal and regional; the “circense” tradition exists in almost all parts of the globe, but it is enriched by the smaller companies that keep struggling to survive in poorer setups, adding regional elements to the whole. It fits like a glove for the music of Gismonti, which also aims to enrich Brazilian musical tradition with elements of worldwide classical and popular acquisitions. More at MOG read more

2013 Jazz from Cuba’s Roberto Fonseca – Yo! (that resonates here in the Philly Area)

Roberto Fonseca KellyWynton

(Twin Sons of Different Mothers and times?)

(tangentially speaking – about the headline the Yo – is usually followed by Adrian ….. here (ADD strikes again)

Checking out the Roots Music Reports Jazz Chart this afternoon, I saw a name that interested me at number 12, right after the Duduka Da Fonseca Trio, was Roberto Fonseca and his latest album Yo. So the question before the house was who is this Roberto Fonseca and what does he play!! YoI download the album from Spotify and only got to listen to it on the way home. Now that is not a good thing because the trip home from work only last about four minutes (note that is one of the reasons that I have worked at the same job for the last 34 years!!) Anyway, the brief listen to the opening track “80s” was really all I needed to hear to know that I wanted to hear more from this artist! After work I listened to most of the album and while portions of it are not really my taste, I did enjoy the album, and who knows in another few months with the way that my taste is evolving, it may be right up my alley!! Anyway here’s some information about Roberto……. read more

2013 Jazz – The Music of Omar Sosa – Eggun: The Afri-Lectric Experience

Omar SosaSo the other day MOG by way of their Just for You section introduced me to the music of Omar Sosa, and I’m glad they did!!  Sosa is a Cuban born composer, bandleader, and jazz pianist. His newest band  Afreecanos, combines Afro Pop, jazz, and a variety of European instruments. The band, which includes musicians from Africa, Cuba, Brazil, and France, released a CD in 2009 and went on a world tour in early 2010.

The album that was recommended bby MOG was his latest release Eggun: The Afri-Lectric Experience. I gave it a quick listen and decided that I wanted to learn more about Omar and I took a trip to ALLMusic where I discovered: read more

Yesterday in Music – Oct 20, 1957 – Happy Birthday – Anouar Brahem!

The second name on today’s list of jazz musician birthdays at All About Jazz was Anouar Brahem. The thing that caught my attention about Anouar was the instrument he was holding an Oud! Time out let;s first explore the Oud before finding out about Mr Brahem. From Wikipedia: Anouar Brahem 1

The Oud  is a pear-shaped stringed instrument commonly used in Arabic, Hebrew/Jewish, Greek, Turkish, Byzantine, North African (Chaabi, Classical, and Andalusian),Somali and Middle Eastern music. Construction of the oud is similar to that of the lute.[2] The modern oud and the European lute both descend from a common ancestor via diverging paths. The oud is readily distinguished by its lack offrets and smaller neck. It is considered an ancestor of the guitar.[3] According to Farabi, the oud was invented by Lamech, the sixth grandson ofAdam. The legend tells that the grieving Lamech hung the body of his dead son from a tree. The first oud was inspired by the shape of his son’s bleached skeleton.[7] The oldest pictorial record of a lute dates back to the Uruk period in SouthernMesopotamia (modern Nasiriyah city), over 5000 years ago on a cylinder seal acquired by Dr. Dominique Collon and currently housed at the British Museum.[8] The Turkic peoples had a similar instrument called the kopuz. This instrument was thought to have magical powers and was brought to wars and used in military bands. This is noted in the Göktürk monument inscriptions, the military band was later used by other Turkic state’s armies and later by Europeans.[9]According to musicologist Çinuçen Tanrıkorur today’s oud was derived from the kopuz by Turks near Central Asia and additional strings were added by them.[citation needed]   A plectrum called a risha is used to play the oud. Traditionally the risha were made of eagle feathers and tortoise or sea-turtle shell as well as cowhorn.[10]Cowhorn rishas are commercially available today. The horns are sliced into strips and shaped, then sanded. Modern picks are also made of cellulose plastic. Those who prefer cowhorn rishas to plastic say they make a different quality of sound Read More read more

Musical Safari to Indonesia – simakDialog – The 6th Story

Yesterday as I was surfing around the Internet, I came across a review at Jazz Archives for a band named simak Dialog and their latest album The 6th Story. As I read the following, I thought wow! This band really fits this blog…a musical safari to the far reaches of Indonesia:

More and more fusion fans around the world are beginning to realize that Indonesia has become a hotbed for fresh and original jazz fusion music. Along with the creativity and energy, there is also a lot of variety to the styles of these bands. Some Indonesian bands play in a style that could come from anywhere on the globe, while others tend to show more influence from their roots in Indonesian music and culture. With the release of their new CD, “The Sixth Story”, simak Dialog gladly shows that they are the band with the most roots culture as they mix gamelan rhythms and structure with a unique take on fusion to create one of the most original CDs to come out this year. Thanks to musical “borrowers” like Steve Reich and Robert Fripp, many people have a mistaken concept of what gamelan sounds like. There is nothing fake or borrowed on “6th Story”, this is the real gamelan; complicated, syncopated, earthy and not for amateurs to attempt. Read more read more